Tiresias, although a mere spectator and not
indeed a 'character',
is yet the most important personage in the poem, uniting all the rest.
Just as the one-eyed merchant, seller of currants, melts into the
Phoenician Sailor, and the latter is not wholly distinct from
Ferdinand Prince of Naples, so all the women are one woman, and the
two sexes meet in Tiresias. What Tiresias sees, in fact, is
the substance of the poem. The whole passage from Ovid is of great
anthropological interest:
". . . Cum Iunone iocos et 'maior vestra profecto est
Quam, quae contingit maribus', dixisse, 'voluptas.'
Illa negat; placuit quae sit sententia docti
Quaerere Tiresiae: venus huic erat utraque nota.
Nam duo magnorum viridi coeuntia silva
Corpora serpentum baculi violaverat ictu
Deque viro factus, mirabile, femina septem
Egerat autumnos; octavo rursus eosdem
Vidit et 'est vestrae si tanta potentia plagae',
Dixit 'ut auctoris sortem in contraria mutet,
Nunc quoque vos feriam!' percussis anguibus isdem
Forma prior rediit genetivaque venit imago.
Arbiter hic igitur sumptus de lite iocosa
Dicta Iovis firmat; gravius Saturnia iusto
Nec pro materia fertur doluisse suique
Iudicis aeterna damnavit lumina nocte,
At pater omnipotens (neque enim licet inrita cuiquam
Facta dei fecisse deo) pro lumine adempto
Scire futura dedit poenamque levavit honore.
The Exploring The Waste Land site has a poetic translation of Ovid's The Transformation of Tiresias from Metamorphoses, Book III. It was
Translated into English verse under the direction of Sir Samuel Garth by John Dryden, Alexander Pope, Joseph Addison, William Congreve and other eminent hands.
Tiresias is also mentioned in the same text in
The Exploring The Waste Land site has a poetic translation of Ovid's The Story of Pentheus from Metamorphoses, Book . It was
Translated into English verse under the direction of Sir Samuel Garth by John Dryden, Alexander Pope, Joseph Addison, William Congreve and other eminent hands.
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