According to amazon.com's
statistics there are 9,265 sentences in Moby Dick.
Apparently I have not had enough of them because once
back in Providence I couldn't sleep so kept reading,
skipping ahead to my favorite chapters in the deep middle
where nothing much happens but everything is amazing. I
did sleep eventually and then morning came and I woke up
in Rhode Island and drove back to New Bedford and heard
the rest of the story.
Amazingly, the Flesch Index for
Moby Dick, at least according to amazon.com's
calculation, is 57.9. That means it's actually slightly
easier to read than Time Magazine (57). It's even
a teensy bit easier than Pride and Prejudice,
source of the second most memorable opening sentence in
literature, at 57.6 albeit a lot longer. Austen is still
long at only 6,028 sentences. Curiously, amazon does not
have any statistics to prove that "Call me Ishmael" is
actually quoted more often than "It is a truth
universally acknowledged, that a single man in possession
of a good fortune, must be in want of a wife." Although,
come to think of it I've never seen "It is a truth
universally acknowledged, that a single man in possession
of a good fortune, must be in want of a wife." on a
bumper sticker. Regrettably, I couldn't find any text
statistics for the Harry Potter books. That would've
added interest to this digression for sure.
So, Anthea tells us she slept in
her car for a couple of hours. Hmm. Not a good idea. This
is New Bedford after all.
Once again only Ishmael and the
whale survive. A total of 14 people including some from
Nevada and some from Nantucket made it through the whole
25 hours. Nevada? Big whaling tradition in Nevada? Oh,
must be the Basques. Never understood how they went from
cod and whales in the North Atlantic to sheepherding in
Nevada in the first place. Nantucket? How did they get
here in the storm? The ferry stopped running. Later on I
asked one of the Nantucketers about that. He said they
caught the last ferry before they shut down for the
storm.
After the Rachel picks up Ishmael
and the whale swims away with all those harpoons in him,
we headed upstairs for one last look at the exhibit of
Azorean nativities, which actually ended yesterday but
still isn't packed up yet. They're the work of five
potters from the same area in the Azores and they're
amazingly idiosyncratically Azorean. Some of them include
huge processions of tiny musicians and altar boys and the
faithful dressed as saints. Some are in covered casserole
dishes with one side cut out. One amazing one is of an
emigrant family leaving the Azores. It's poignant and
realistic and it took me several minutes to realize that
these poor migrants in 20th century clothing were in fact
Mary and Joseph and Jesus. I think that was my favorite
one. There was also one with the traditional figures but
set inside a pineapple. I kept calling it the SpongeBob
nativity. Apparently pineapples are a big thing in the
Azores.
Once we'd had enough of the
nativities, we lingered for a long time over an exhibit
of black and white photography
by Norman Fortier. Fortier
specializes in boats. He lavishes equal attention on tugs
and fishing boats and yachts. Even when the subject is
women working in a textile mill the billowing fabric
mimics billowing sails. He makes you really look at
things and look again. The most disturbing and memorable
image is not of a boat or a textile worker though. It's a
single cod head in ice. Starkly black and white and
really most sincerely dead, the cod is looking right at
you as if to make sure you experience its moment of
death. Y'know, black and white photography is going to be
such a loss when the digital age crushes it
out.